It never ceases to amaze me how it can just takes the first three seconds of a song for someone to identify it, decide to skip it, or fall helplessly into its embrace.
PHOX’s single “Slow Motion” captivated me as soon as it began. At first, I thought that maybe there was too much going on in the song – too many instruments, too many arpeggios, just too much. But there was something so magical about this “too much” that I couldn’t help but keep coming back.
Music can be so meditative. When too much in life is going on, the right song can help you focus and refocus, breathe and let go, ground you. That’s how “Slow Motion” wraps you around its finger. Listen to its layers. Look for one thread – one instrument – and follow it to the end of the song. Now repeat with another thread. And another and another. You simply focus and enjoy.
PHOX, made up of six friends in Wisconsin, is a mix of a little bit of Vampire Weekend and Foxygen and definitely a lot of their own soul. Throw in different types of guitars, a xylophone, violin, trumpet, piano, whistling – and it becomes a great melange that keeps you hanging on, wondering what might come next, and knowing it’s just going to be wonderful.
With this group, there’s just so much character everywhere you look and everywhere you listen.
Slow Motion is a preview of PHOX’s album, due for release in June. After hearing just these five minutes, I can’t wait for the rest of their album to come out.
Passenger’s Circles resonates of nostalgia. With its minor cadence patterns and an acoustic guitar melody, you would almost expect to find someone strumming in the middle of a quaint but bustling village bazaar in the early 1900s somewhere in Europe. It’s almost melancholy, as if Passenger is trying to hold on to the past.
With Elkoe’s remix, Circles becomes less nostalgic and more reflective, filled with a little bit of wondering and a lot of daydreaming. It eases into the music with a gradual crescendo and then picks up the pace, echoing Passenger’s words, creating both a sense of longing and wistfulness. And at the same time, Passenger jams in Elkoe’s remix. He no longer has his violin at hand, which added to the folky style of the original song, but in the remix, Elkoe adds something electric, as Passenger sings about carving memories into monuments, running carefree, flying kites, and seeing those days go by.
Finally, Elkoe throws in a little Emancipator to close it out – and in the reminiscence, the sun sets.
Here’s to what we remember, what we hoped for, and what we don’t want to let go.
Passenger’s music seems to have great success both as originals and as foundations for remixes. Here’s a mix by Peer Kusiv that blew up before Let Her Go made it to our radio stations.
It’s been a bit dreary these past couple of days where I am – grey skies, dark clouds, rain.
I’ve posted on M83 previously, and I’ve even mentioned their song “Wait” already. It’s admittedly gloomy, but beautiful and just wonderful to let it wash over you, especially when you hear it live!
Meanwhile, Kygo has never failed to deliver an upbeat, bouncy song, with tropical rhythms and instruments that simply make everything look up. So it was a bit of a surprise to see Kygo remix a sad song that yearns. But what Kygo does with this song is brighten up its grey. In Wait, M83 mourns that there is “no time,” repeatedly (this description is a little more depressing than the original song is, I promise), but in that moody chorus, Kygo adds in a rhythm, melody, and beat to make you dance and embrace the fleeting moment. He takes those stormy clouds and pushes them apart, letting the sun glow then shine through, lighting up the sky.
Behind every raincloud are blue skies.
And for just some sun and only sun:
Everyone ultimately seeks a path to happiness. It seems harder than it is. But what would you do if you only had ten minutes left? When do you pause to look up and around and simply wonder? At what point do you decide to stop and smell the roses? Why not try and start now?
Portugal. The Man’s words are true. All you need is something to believe in and everything falls in place, just like that. At the very least, believe just that: things will fall into place. Or, if anything, believe in the joy of Muneshine’s remix of this song.
Now get up and dance. What are you waiting for?
This post is dedicated to the managing editor of MuMaMe, someone who appreciates every moment and seeks to make somebody, anybody, everybody, happy – every single day. He inspires people every day. Happy birthday!
The upcoming movie Divergent is built on an interesting concept. Everybody in this world is given a role in the community, and those who don’t fit anywhere have to pretend to or risk death. It looks thrilling. But at the heart of it – and you only get a glimpse of this aspect of the story in the trailers – the divergent community still needs unity. They still need each other. They still need somebody. M83 captured this perfectly in Track 8 of the Divergent soundtrack, “I Need You.”
M83′s soundtracks capture emotion. They always have. Consider the entire Oblivion soundtrack.
They have made themselves a name by using amazing sounds in their tracks (think Midnight City’s opening), and hearing M83 live is just stunningly captivating. Being surrounded by their music just makes you love absolutely everything in the world.
“I Need You” is a beautiful exhale. It makes you let everything go when you hear it and sink deeper and deeper into its warmth.
It starts slow, relaxing, and builds up in anticipation. It gives you a space to breathe, only to reel you back in with a crescendo of trumpeting that makes you feel like you are in the presence of something truly majestic.
Sit back with surround sound high quality headphones and just let M83 wash over you.
And their track that blew me away during their concert in Central Park in 2011:
We Are Twin is fantastic! We went to Oakland last week to see specifically them, an opener for the band Foxes. We Are Twin is so new they weren’t even listed on the event description, but they blew us out of the water. Everything we wanted and more. I am not afraid to declare that I think they will make it – though whatever “make it” means, I’m not quite sure… Coachella 2014!?!? Dream big.
The past few weeks I feel like I’ve been caught up in a mechanical routine that I usually try very hard to avoid. I’ve been “productive,” but I haven’t been doing too much of what I love. I’ve been working hard, but my brain is more anxious and weary than pleased and fulfilled. Steve Jobs once said something along the lines of, “Every day I wake up, and look in the mirror, and ask myself if I am excited to do what I’m planning to do that day. When the answer is ‘No’ for too many days in a row, I know I need to change something.” I never forget that. You’ll always have stretches where you’re doing things you don’t want to do, because you simply HAVE to, but you can’t let those stretches last forever. Every day, move up and to the right. Towards whatever is your biggest, baddest dream.
Sometimes a song wakes me up from the dazed monotony that a dreaded Monday can bring. Today a song did that, and holy cow did it make me want to dance. Check it out. In fact, check it out THRICE. I’ll start with the original, and then a mashup with Kanye, and then a mashup with Jay Z. Yes, it’s THAT good. I’m in love.
Los Angeles musician Gallant channels his best How to Dress Well, or the Weeknd, or maybe Autre Ne Veut, in this brooding, beautiful ethereal R&B track. It’s 2:00am where I’m at, the perfect time for a track like this. I bet that goes for you, too. Check it out.
“Music in the soul can be heard by the universe.” That’s how Yinyues introduces himself, with a Lao Tzu quote. You know we’re going to like this guy.
Everyone wants enlightenment. But it seems there’s no surefire way to get it. Live in the moment, but also understand the oneness of yourself with everything around you. Those seem to me opposed. To expand your view to infinity, by focusing on an instant. The current moment is only the most infinitesimal fraction of everything that is. The secret can’t be right NOW.
And that movie, “Gravity,” didn’t help. Damn good movie. But holy crap, I already didn’t know what to do with myself on Earth, and now I just want to go to space. Come on now.
But if I can’t know the universe, at least let it hear me sing!
Slow Magic has an amazing name. He certainly can’t be faulted for effort in image marketing, either, as he wears a colorful zebra mask to every show. It seems pretty unwieldy, but if an awesome helmet/mask has worked for some of the greatest electronic musicians ever (Daft Punk), it might be a branding tactic worth exploring. You know what? I have a pretty outstanding trademark for work, too. I always roll up my sleeves, like Barack Obama.
It’s late. Let’s cut the blathering and get to the music. Slow Magic’s songs all truly do seem slowly, magical. A beautiful term, as perhaps all magic is slow magic. Developments that seem like they come out of the blue have often been brewing for a very long time. It’s your job to stay ready, so you never have to get ready. The wheels may already be turning.
Ok, now hit play.